The Glue That Holds It All Together - A Look Inside The Designer's Cabinet

Written by: Randy Weersing - Randy Weersing Furniture Designs

There is a bewildering array of glue products on the market, and you may ask why. Well, the truth is in my shop, 95% of all gluing is done with one product, plain old yellow glue. It is an aliphatic resin, but please don't ask me about the chemistry. There are several popular brands on the market and I have found little difference among them. This glue has many endearing qualities: long shelf life, no mixing required, water soluble for easy clean-up, reasonable working time, and amazing adhesion. It does not have good gap-filling properties however, so your joints must be tight and well clamped. There are water-resistant (not water proof) formulations, and slow setting versions to allow time for complicated assemblies. I use this for almost everything, from traditional furniture joints to vacuum bag veneering.

A look in my glue cabinet reveals a few other useful adhesives for wood:

Cyanoacrylate or crazy glue is handy for sticking down a chip, splinter, or small non-structural repair. The gel type works best on wood.

Polyurethane (Gorilla Glue) is something I sometimes use for repairs when it's gap-filling properties are needed. It bonds well, is semi water-resistant, and foams and expands to fill a sizable gap. It's messy to work with and clean up and its foaming can be a problem, but it has it's uses.

Epoxy, like polyurethane, has good gap-filling properties and may be a good choice for a loose fitting joint, in fact it performs best with a loose joint, not tightly clamped. It's expensive, messy, requires careful mixing, and it can be brittle and unaccommodating to wood movement, but it adheres very well to almost anything and is very water resistant. Don't get it on your hands.

Resorcinol-formaldehyde glue is the traditional boat builders old standard. A powder and liquid are mixed to make a very strong and very waterproof adhesive. Long set-up time and a good, tight, well clamped joint are necessary.

Hide glue, before modern chemistry, was the primary adhesive of choice for many types of woodworking: Furniture, lutherie, etc... It is made from rendered collagen from the skins (hides) of animals. It is chemically similar to edible gelatin and is non-toxic if ingested. Hide glue is still used today in specialized applications like musical instruments and replica furniture. I have used it for conservational-grade repairs to antique woodwork. Not easy to use, it requires a "hot-pot" to maintain a certain temperature.

What are some of the adhesives you utilize in your shop? Please share with us in the comment section below. Happy New Year!

For more information on Randy Weersing's designs, visit his website at:

www.weersingfurniturestudio.com

Color Tones, Rich Finishes and Surface Textures; An Incredible Visual-Sensory Experience When it Involves Fine Woodworking

Written by: Michael Blakley - Director of Marketing

We've all experienced it: you walk into someone’s home or perhaps a luxury hotel, or a first class commercial building and right away you notice something special; beautiful woodwork inspired by great design and skillfully put in place by solid craftsmanship.  

And often, one of the most striking aspects of the woodwork is often the finish coating or color stain that has been applied. In this blog today, we’d like to share a few things about the subject of finishes and color coatings, as it relates both to prefinished panel manufacturing, (which is what we do here in our plant in Eugene, Oregon), and also to those wood working professionals and hobbyists who work with and painstakingly apply finishes to a variety of projects.

First, let’s start with some trends, and no surprise they can vary significantly within the vast regions of North America. While recently we experienced color trends and finish tones that were predominantly the rich, dark, coffee-type hues, we are now seeing a gradual return to lighter looks.

At the States Industries prefinish plant, we talked with Les Lawrence, Finish Coatings Manager. Les pointed out that the basic species continue to dominate the bigger production runs, primarily maple, birch, cherry, oak and walnut. And he confirmed a resurgence of lighter finishes, including washed appearances and warmer tones.

“We get to see a wide range of colors, trending from dark and now back to lighter tones, with an interest in more vertical grain patterns and specialty cuts of veneers that highlight a more straight grain effect.”

In a recent on-line article from homeyet.com, the writer noted the following: “the warmer finishes trend is most evident in the contemporary and transitional furniture categories.  Gone are some of the dark espresso finishes that required silver colored hardware…  instead, wood tones are softer, more Mid-Century modern in color and shape---think “Mad Men” meets today’s modern loft.” They go on to suggest that in both the contemporary and transitional style categories, “walnut veneers seem to be guiding the trend.”

North Carolina based Valspar Wood Products, in last year’s publication of its “PEAK 2011: Style Guide,” reports a mixing trend, blending both new and reclaimed wood in a range of finish colors.

Another an important part of the aesthetic component is the gloss level on a particular stain, which can dramatically affect the final look. Lawrence reports seeing a “definite trend of lower gloss applications on many of our panel runs here at our plant.”

This may be somewhat related to a trend toward hardwood floors sporting a low gloss appearance. The lower luster looks tend to hide small scratches and dents better than the higher glosses and they are easier to maintain. Additionally, a lower gloss level will likely bring out more of the natural characteristics of the wood in flooring as well as in hardwood-decorative panels used for walls, surfaces, furniture and cabinetry.   

                                      

The other interesting challenge around blending, mixing and matching custom colors, is matching stains to laminate materials, especially when dealing with contrasting colors which are more easily created in the manufacture of laminates. But States’ Lawrence is quick to point out that “we can do that; over our many years of finish coating experience, we have developed the competencies in matching our wood panels and components to most any laminate.”

Finally, when wood surfaces are coated and finished, it is important to recognize that the natural characteristics of wood can create some variances in the gloss level, stain absorption and ultimately the color tone of the final product.

To tie out this topic to our own product line, you may wish to visit our website, www.statesind.com and for some compelling insight into the world of finish coatings, check out www.coatingsworld.com.

Remember, when you have important projects where significant decisions will be made with regard to the proper design elements… Color, texture, lighting and choice of materials, you will always be well-served to enlist the services of professional designers and skilled craftsmen.

Happy Holidays from all of us at States Industries.

Enjoy your projects and please remember to always work safely.

Sawdust, Sustainability and Secure Jobs; The Best of All Worlds

By Michael Blakley, Marketing Director

One of the exciting things I discovered when I joined States Industries as Marketing Director, is they have been hosting an internship program over the years.  This past summer, our intern students were from Oregon State University and they worked here at our hardwood plywood plant in Eugene, Oregon.

As a native Oregonian and proud participant in the wood products industry, it is always rewarding to see companies and schools doing things to attract young people to our industry.  I hope this blog discussion will spark additional interest in our industry as well as the science of forestry and in renewable, sustainable industries. 

States Industries has been focused and committed to the responsible use of our natural resources and in using environmentally safe materials in all our products. That made it easy to talk with our friends at Oregon State University, where they shared this about their interns and programs:

I asked them some of the reasons students choose the forestry schools and they reported that “traditionally those students had family in the industry and sawdust in their veins.  Now, these students are choosing a degree in Renewable Materials because they see an opportunity for knowledge and tools to make the World a better place.”

Currently, Oregon State University has about 1,000 students enrolled in all 7 of their undergraduate degree programs within the School of Forestry, and the Renewable Materials degrees are steadily growing.  Many students focus on quality control jobs and then work their way into management and sales positions.  Some of these careers have included doing research and development for a wood ceiling company, managing international standards and accreditation services, and management in large-scale forest products companies.  Some students pursue careers in international marketing, including management of industry trade associations. The internship opportunities such as the ones here at States allow these students to get real world experience in the industry to help them hit the ground running.

Finally, in an era of some job scarcity, it is refreshing to note that the Renewable Materials Department at Oregon State University points out there are more jobs in sustainable industries than people to fill them.  Consider some of these careers with:

• Architectural firms
• Interior products companies
• Non-government organizations
• Green building companies
• Third-party environmental testing firms

So good luck to all who choose these exciting fields and thanks to all who serve our broad base of business and industry.  And to our wood worker friends and craftspeople out there, always remember to work safely; wear eye and ear protection and enjoy your craft!

For more information contained in this blog, please visit:

http://renewablematerials.oregonstate.edu/

Cross Laminated Solid Wood Composites…Not Your Father's Plywood - Part 2 of 3

Once again we introduce you to one of our local furniture makers and wood-craft professionals, Randy Weersing Furniture Designs, Eugene, Oregon.  In our first blog about Randy’s talents and passion for wood working and design, we shared that he creates from a vast array of materials and is a loyal fan of our own ApplePly® specialty plywood panels.  Enjoy this second feature blog and the cool designs that might be called the perfect blend of art and style.  A link to his website can be found at the end of this article.  Enjoy your woodworking and always wear ear and eye protection on your job site.

CROSS-LAMINATED SOLID WOOD COMPOSITES…not your father's plywood - Part 2 of 3

- By Randy Weersing

Thirty five years of designing, building, and selling fine furniture pieces has naturally shown me some time-saving construction methods and taught me a lot about wood; including the many merits of using premium plywood. I have started by listing just a few:

*Beauty- A wide range of matched face veneers are available, plain sliced, rift cut, and quarter sawn.  The very best and most beautiful parts of our trees are increasingly used for veneers.  Even the edge cuts of premium products such as States Industries’ ApplePly can be used as a striking design feature.

*Economy… compare the per square foot price of high grade ¾” mahogany plywood with the per board foot price of mahogany lumber for example.  The plywood material is a fraction of the cost.  Now subtract the cost of milling the solid stock also.

*Durability- modern adhesives and laminating techniques have made delamination problems, which originally gave plywood a bad rap, a thing of the past.

*Uniformity-Uniform thickness, standard sizing and matching face veneers with few defects make for more efficient use of material and simplifies building techniques.

A couple real world examples might help to illustrate some of the preceding points:

Three years ago, I was asked to design a large contemporary liquor cabinet/sideboard type piece. The design required a 3 inch thick, inverted  "U" shaped structure with a diagonal grain orientation in mahogany. The working parts of the cabinet were to be suspended beneath the "U".  After considering the possibilities, it was decided the only practical way to achieve this was by constructing a plywood box beam with internal stringers...all in 1/2" plywood. Face veneers were then applied matching the figure at the corners on a 30 degree bias. 

The result is strong, stable, lightweight, and in my (and more importantly, my client's) opinion, beautiful. I expect, with proper care, it will last for generations. I challenge anyone to make this work using solid wood.

To see more of Randy Weersing's designs, visit his website at www.weersingfurniturestudio.com 

Reconstituted Veneer - The Natural Alternative

Written by: Michael Richardson - Marketing

When we think of wood veneer, we mostly default to the standard natural wood products that have proven the test of time. There’s no denying their beauty, versatility and popularity. Some veneer substitutes, laminates for example, have been on the market for years, but they lack the beauty and fascination sought after in natural wood characteristics. But what about an alternative that has the look and feel of nature’s veneer yet still offers some important benefits?  Here at States Industries, we field veneer questions on a regular basis but over the last couple of months, one particular type seems to be on the forefront of customers’ minds: reconstituted or engineered veneers.

What are reconstituted veneers?

Reconstituted veneers are an engineered product using real wood, such as obeche, that is rotary sliced, naturally colored with non-toxic dye, stacked and then cut once more to simulate figure, grain, and color seen in their natural veneer counterparts. The picture below of a reconstituted quarter sawn cherry shows the simulated figure and grain.

What are the benefits of reconstituted veneers versus standard veneer?

One of the major benefits of reconstituted veneer is consistency from one sheet to the next. Since hardwood logs are only so large, there’s a limitation to the amount of matched veneer yielded. With reconstituted veneer you can conceivably get matching veneers regardless of quantity needed for a project. Perfect for a large job when consistency is key.

What about cost? Since its engineered does that mean it’s expensive?

Actually one of the benefits is a more favorable cost. Several kinds of exotic hardwoods such as Teak, Wenge, Ebony, and Zebrawood can be cost prohibitive to many, but their reconstituted counterparts may be significantly less expensive.

What about environmental benefits?

Reconstituted veneers are a sustainable alternative to harvesting natural exotic wood species. Also, several reconstituted veneers are offered FSC certified and can help contribute to multiple LEED credits.

Have you used reconstituted veneers in any of your projects? Let us know your thoughts! 

Cross Laminated Solid Wood Composites…Not Your Father's Plywood.

While there is no limit to the rich materials and information around the various building and craft industries, we thought it would be great for our blog readers to meet one of our local furniture makers and wood-crafting professionals, Randy Weersing Furniture Designs, here in Eugene, Oregon.  Randy creates and fabricates from a vast array of materials, including our own States Industries ApplePly®  Randy was generous enough to provide so much content for this blog that we have designed it into 3 postings which will begin today and conclude early September. 

Enjoy Randy’s craftsman tutorial and his photos.  A link to his website and work can be found at the end of this article.

Happy and safe woodworking everyone.

Sincerely,

Michael Blakley

Marketing Director

States Industries, LLC

CROSS-LAMINATED SOLID WOOD COMPOSITES…not your father's plywood.

- By Randy Weersing

Thirty five years of designing, building, and selling fine furniture pieces has taught me an important lesson about  human nature: What we perceive as "quality" often has no basis in reality. The use of plywood in furniture construction is a prime example. I can't count the many times I've had a design rejected by a client simply because it uses plywood. When pitching a design, I've even begun referring to premium plywood products as "cross-laminated solid wood composites", or CLSWC. This somewhat tongue in cheek acronym can open the door to further education on the many merits of premium plywood and I have started by listing just a few:

*Stability - The cross laminated veneers are not subject to seasonal movement as is solid wood. This opens the door to design opportunities and building techniques  that would otherwise be impractical...even impossible.

*Environmental benefits - Do the right thing. Plywood makes better use of our precious resources as many wood producers today now source only from forests and plantations that are harvested under strict sustainability and fiber renewal standards.

*Aesthetics - Plywood edges and surfaces can boast all the beauty of solid wood.  From the rich grain patterns to the unique colors in the veneers, plywood celebrates the natural characteristics of wood.

*Strength - Premium plywood is superior in strength and stiffness to solid wood, particularly when  structural integrity is required in multiple planes. Structural members can be smaller and lighter with no risk of splitting or cracking.

One example of the amazing properties of plywood is illustrated by my recent "ZigZag" and "Ampersand chairs". ZigZag is constructed of 3 pieces of ApplePly's 1/2 inch maple faced material. It is strong, lightweight (10 lbs.) and comfortable. Material costs are about $30 per chair. This design would not be possible in solid wood. The slats would split (I tried it), and the frame would break where the grain opposes the structural loads. The "Ampersand" chairs are a similar if a bit more elaborate application of the same techniques. In this case, in addition to the above mentioned attributes, I would add flexibility to the key characteristics that make the design possible. The frame and seat parts of these seating pieces flex under the sitter's weight to conform and support with surprising comfort. Again, this might be achievable with solid wood, but at what cost? And how long would it last?

Tradition runs deep in the furniture business, and we should respect tradition. Solid wood has been the mainstay material for furniture construction for millenia, and has acquired a mystical, magical aura...as it should. I love it and use it where it works best, but I keep an open mind to the alternative opportunities afforded by new technologies.

Cross laminated solid wood composites;  now there’s a cool twist to a timeless material.

To see more of Randy Weersing's designs visit his website at www.weersingfurniturestudio.com

After you leave the plywood store, how do you store your plywood?

Written by: Michael Blakley - Director of Marketing

That’s a fundamental question we felt deserved a brief discussion, including some useful tips from our own Quality Control Engineer here at States Industries. So, we start out with the basic properties of wood in general and since it is simply a dynamic, incredible fibrous product of nature, it will behave in some of the ways you might expect: it will expand and contract depending on temperature and humidity and depending on a host of other conditions that can happen in your garage, storage shed, in the back of your pick-up truck or in your home.

As States’ Quality Engineer Blake Holton remarks: “When it comes to heat, cold, humidity and moisture, all wood reaches equilibrium in response to those conditions.”

But in the case of plywood, an engineered building material, it is specially designed to minimize some of these issues. Plywood, as it is manufactured, is a more balanced construction, with the use of inner plies, specific lay-up processes, and the use of several thin or thick panels known as substrates, all pressed together with special glue types. And it is the orientation of these inner ply “sandwiches” that will help restrain roughly 90% of typical wood movement.

This is true with construction grade plywood as it is with hardwood plywood which is used exclusively for interior and decorative application. And so it is in the case of hardwood decorative plywood that we would like to offer these storage tips:

1.  Store or stack flat, if at all possible. Lay it on some type of support surface (linear strips of wood to keep it off the floor surface).  If you must place the pieces or panels on edge, put a protective surface underneath to prevent chipping, gouging or denting part of the delicate veneer face or back.

2.  Store it in a dry area, preferably indoors, free from moisture, dirt, oily surfaces or where bugs might hang out.

3.  Try and store it in the same area you will be using the wood, just as you might store new wood flooring strips in the room it is designed to be installed in.

4.  Keep the surfaces clean, remove dust or grit carefully with a soft-bristled brush, (really soft) or smooth cloth and be careful not to rub too hard.  Always dust or soft-sweep the surface in the same direction as the grain pattern of the wood.

Do you have any storage tips that you'd like to share? Please leave a comment below! Let us know if you have any questions and always remember to use safety glasses and ear protection when cutting or machining wood.

Happy woodworking!